Joan Ross Sorkinhome.html

Playwright      Opera Librettist      Musical Bookwriter      Lyricist     Screenwriter

      HOME     |     FEATURED WORK       |       ALL WORK       |       PRESS       |        BIOGRAPHY      |      CONTACT   home.htmlfeaturedwork.htmlallworkPlays.htmlpressMain.htmlbio.htmlcontact.htmlshapeimage_6_link_0shapeimage_6_link_1shapeimage_6_link_2shapeimage_6_link_3shapeimage_6_link_4shapeimage_6_link_5
 

FEATURED WORK: MUSICALS

Click on the links below for more information about this work.

ISABELLE AND THE PRETTY-UGLY SPELL



MusicisabelleMUSIC.htmlshapeimage_8_link_0
Back to Featuredfeaturedwork.htmlshapeimage_9_link_0
PressisabellePRESS.htmlshapeimage_10_link_0
SYNOPSIS

        ISABELLE AND THE PRETTY-UGLY SPELL is a new family musical about Isabelle, a lovable, though scatterbrained fairy godmother who goofs while casting a spell to help a princess find true love and now has only three days to make things right. Isabelle’s clock-ticking, cliff-hanging, nail-biting journey leads the audience through hilarious high jinx to a happy ending to underscore the lesson that looks don’t matter—it’s what’s on the inside that counts. With a cast of seven who do double and triple duty, hummable songs, quirky characters, and an endearing story, the musical is ideal family entertainment for “children of all ages.”

In the prologue Isabelle discovers that the new-born princess just assigned to her from Kingdom 33 West is the most beautiful princess ever to live. Fearing that when she comes of age, suitors will want to marry her only for her looks, Izzy (as she is affectionately known), casts “The Pretty-Ugly Spell” over the entire kingdom. Though the Princess remains fair of face, everyone sees horns and warts and scales of green, and only a kiss of true love can break the spell. 
 
Almost sixteen years later it is another Assignment Day in Fairyland, Izzy’s favorite day of the year. But an angry Grand Fairy announces that Izzy will not be getting a new assignment because her princess in Kingdom 33 West has not yet received her kiss of true love, and if she doesn’t receive it within three days--by her sixteenth birthday--the spell can never be broken. Long ago Izzy had missed the fine print in her spell book-- a mistake, coupled with so many others, now will have its consequences. Grand Fairy takes away Izzy’s wand and puts her on probation. She will get her wand back only if she finds a boy to kiss the Princess in time to break the spell.

Izzy’s quest begins. Frantic but determined, she heads for the castle to find the Royal Book of Bachelors. Inadvertently, she is hired as the Royal Housekeeper, finds the book, reveals herself to the Princess, and promises to help her find true love. Meanwhile, the King has planned a ball for the Princess’ sixteenth birthday to find her a husband. But since no one wants to attend for fear of being hitched to the ugly princess, the King makes a decree that all eligible bachelors must attend or be beheaded. In the town square Izzy meets an awkward boy named Clyde who wants nothing more than to become the Royal Inventor, but when Izzy tries to follow Clyde home to pursue him for the Princess, she gets lost and returns to the castle empty-handed. At the castle Izzy commiserates with the King about the difficulties of a single parent in raising a daughter. (The Queen had passed away after the birth of the Princess and the King is raising her alone.) 

Clyde’s two nasty stepbrothers, Cornelius and Radbourn, have read the King’s decree and whine to their tyrannical mother that they may get stuck with the Princess at the ball. Delighted, Stepmother reveals her plan: one of them will marry the Princess, then they’ll take over the kingdom for themselves.

With only one day left before the ball, Grand Fairy discovers that Izzy hasn’t yet found a match for the Princess and comes down to the kingdom to prod Izzy along. Izzy persuades her boss to use her wand to whisk her to Clyde’s basement workshop where she finds the amateur inventor busy at work. She learns that Clyde won’t go to the ball, not for fear of being stuck with the ugly princess or being beheaded, but because he can’t dance. Izzy instills in him confidence by teaching him to dance and putting on him his own invention intended for the King--a pair of spectacles. Clyde discovers he isn’t clumsy, just blind as a bat. He agrees to attend the ball, hoping to present the spectacles to the King and even meet the Princess.

At the ball the King is less than pleased to learn that only two bachelors are in attendance: Cornelius and Radbourn. But just before midnight, Clyde arrives, and it is love at first sight. At the stroke of midnight, he finally bestows a kiss of true love, but is chased away by his furious Stepmother and two stepbrothers before he can see that “The Pretty-Ugly Spell” has been broken. The others stand in awe of a most beautiful though tearful Princess, who picks up the spectacles dropped by her mysterious suitor. 

News of the Princess’ beauty spreads far and wide and princes line up to marry her. But the Princess insists on waiting for her own true love to be found. In the eleventh hour, with Izzy’s help, the royal family discovers Clyde tied up in his workshop. But he denies ever having met the beautiful Princess, insisting that the girl he fell in love with at the ball had horns and warts and scales of green. Luckily, a kiss by the Princess jars his memory.  

A royal wedding is held. A contrite Grand Fairy shows up with Izzy’s wand in hand, but Izzy declines to take it back, knowing she can be a fairy godmother without it. The King makes an offer of his own--his hand in marriage. The two couples are wed, Clyde is appointed Royal Inventor, and all live happily ever after.

        PRODUCTION HISTORY
Commissioned work
Summer Stage 2002, Upper Darby, PA 
Five–performance run with cast of high school musical theatre students 
Upper Darby Performing Arts Center (1200-seat facility)
Over 4,000 “children of all ages” saw the show during the run, including one sold-out performance  
Pre-prod. development: Upper Darby Performing Arts Center 
and BMI Musical Theatre Workshop in NYC


ASCAP Musical Theatre Workshop
New York City, March-April 2003 
Workshop directed by: Stephen Schwartz 
Principal actress: Alison Fraser


The York Theatre Company, NYC (dev. reading series)
February, 2004
Directed by: Gerard Alessandrini
Principal actress: Emily Loesser


National  Music Theater Network: 
Broadway USA’s recommended list of  musicals, June, 2004     


Actors’ Playhouse at the Miracle Theatre
April 27 - May 28, 2005 
Directed by: Earl Maulding
(full mainstage production – 30 performance run--attendance: 13,000) 
Award: 2005 National Children’s Theatre Festival  


New York Musical Theatre Festival, September 23-October 2, 2005 
Special Award
Outstanding New Family Musical
TalkinBroadway.com’s 2005 Summer Theatre Festival Citations
 (selected from over 200 plays and musicals in NYMF, NYFringe 
and Midtown International Theatre Festival) 
Directed by David Glenn Armstrong
Principal actress: Ruth Gottschall
(sold-out run)


NYC Industry readings, April 16 and 17, 2007
Produced by Amas Musical Theatre, Brad  Simon Organization, Inc., 
Healy Entertainment, Inc. and Geoffrey M. Cohen
Directed by: David Glenn Armstrong 
Principal actress: Megan Lawrence


Vital Theatre Company, NYC 
McGinn/Cazale Theatre 
March 13-April 25, 2010
Extended and transferred to:
45 Bleecker Street
May 9-August 11, 2010

SYNOPSIS AND PRODUCTION HISTORY

ISABELLE AND THE PRETTY-UGLY SPELL

an upside-down Cinderella fairy tale


Music and Lyrics by Steven Fisher

Book by Joan Ross Sorkin and Steven Fisher

Poster Design: Stefano Imbert

Photos: David Glenn Armstrong